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On drums, it was great. For guitar, it has a lot of power and body that some of the others did not. This is the first ribbon microphone that Coles have developed using the very latest magnet technology. The low end “oomph” of the floor tom was delightful. Though the top end is extended compared to the 4038, which rolls off around 15 kHz, it is hardly as dramatic as the literature describes. While it doesn?t have the “uniqueness” of the 4038, it still sounds wonderful. The response and characteristics were similar in many instances…. Favorite uses of the 4040 essentially mirrored those of the 4038: trumpet, trombone and other brass instruments were especially flattered by the 4040; overdriven electric guitars sounded great and sidled nicely into complex mixes; when used as a room or overall mic, the transients and punch of rock drums and larger percussion setups shined though the 4040. The mic ships with a soft bag, a foam-lined plastic storage case, and two stand adapters (one of which has a swivel mount). It shares many of the characteristics of its older sibling, such as a uniform figure-of-8 polar pattern (both front-and-back and top-and-bottom), while offering updated construction techniques and an extended frequency range. First employed as broadcast models, Coles mics soon caught on with audio engineers seeking that “ribbon sound” on their tracks. With a bold look, greater output, and a wider frequency response, the Coles 4040 ribbon microphone is sure to complement any studio microphone cabinet. Document The 4040 is one of the newest additions to the Coles line of ribbon microphones. The 4040 is a passive ribbon mic designed by the manufacturer of the famous Coles 4038. Bidirectional Instead of the unique designs that define the Coles mics and the ribbon mic industry in general, Coles built the 4040 within a classic large diaphragm-style body (similar to a Neumann U 49). The most immediately notable feature of the Coles 4040 is that it looks nothing like its predecessors, or any other ribbon microphone on the market for that matter. The frequency response of the 4038 is exceptionally flat from 30 to 15,000 c/s but where the 4038 starts to drop off, the 4040 carries on past 20,000 c/s and throughout this range, like the 4038, the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes, giving a natural smooth sonic quality textured response to sound signal being picked up. Like the 4038, response is uncolored and even throughout the frequency range. Perfect for stereo configuration, the Coles 4040 Stereo Bar accommodates two 4040 figure-8 microphones for a natural smooth sonic quality textured response to sound signal being picked up. The 4040 is a passive ribbon mic designed by the manufacturer of the famous Coles 4038. The Coles Electroacoustics 4040 is also known as: 4040 Studio. ©2004-2020 - Studio Economik Inc.® All Right Reserved. [Its] huge proximity effect demands this mic to be placed farther away from the source than most other mics to achieve a balanced tone… [F]or adding a warm summer glow to icy, biting instruments, the 4040 is quite simply an outstanding choice. 4040 Product Description; Coles Electroacoustics 4040 Bidirectional Ribbon Microphone. The 4040 is extremely sensitive to structure-born noise, moderately sensitive to plosives and virtually immune to sibilance…. This microphone includes an innovative two-sided magnetic mount that allows the two halves of the mic to be butted together for Blumlein use. This is the first ribbon microphone that Coles have developed using the very latest magnet technology. Multi-Pattern Ribbon Microphone The Coles 4050 is a pair of bidirectional passive ribbon microphones based on the ribbon motor and transformer of the Coles 4040. On saxophone, it felt scooped in the midrange compared to the 4038. This is the first ribbon microphone that Coles have developed using the very latest magnet technology. There is also no discernible stray magnetic field, making it very easy to mount head to head in a "Blumlein" (crossed figure-of-eights) stereo configuration. Did we get anything wrong on this page? Coles Electroacoustics started designing microphones for the BBC more than 30 years ago. The 4038 is Coles’ most recognized studio model, but now there is a contender for the flagship position. (0.6 mV/Pa; 20 - 20,000 Hz). With a bold look, greater output, and a wider frequency response, the Coles 4040 is sure to complement any studio microphone cabinet. 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